Category Archives: the day-to-day

The Romance Theater Book

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THE INTRODUCTION:

Starting out, I struggled to find the best way to show the need for continued support of the Romance.

I thought that I should find and photograph every flaw, every chipped wall, every broken fixture and appeal to viewers with guilt. This would not have been the best approach.

Although I did not try to aggrandize the theater by avoiding every flaw, my thought was to show the greatness of its history, the progress of its present and the hope for its future.

The Romance, although not in its prime, still means something and has great importance for the city and the people of Rexburg.

Its beauty has captivated the hearts of young and old. I wanted to convey that by telling some of those stories with this book.

Although I only focus on a few, I know you are reading this book because the theater has touched you in some way and you have a story of your own.

Yes, it is expensive to sustain a 100 year-old building like the Romance, but these buildings and their stories are important for the future, our future.

I hope that in some way this book helps you to see that this theater has come a long way after being saved, and yet, it still has a long way to go.

With your support by donations of money and service, the Romance Theater will once again be the jewel of Rexburg.

 

To Purchase This Book Visit THIS LINK

IS DOCUMENTARY PHOTOGRAPHY ART?

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There are those people out there who when they see documentary photography, or any photography for that matter, they say that it isn’t art. The only reason that I have been able to come up with for this reaction is that they must be unhappy with life. Documentary photography is a snippet of life. Regardless of whether it was intended to be beautiful/”artistic” or not doesn’t really matter. What matters is that we look long enough to stretch ourselves so that we can see the beauty that is there.  These are humans; humans are beautiful. They are children of the almighty, the greatest artist. If the creation of the Master’s hand isn’t art or beautiful, I don’t know what is.

 

DRAWN TO LIGHT

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Isn’t it a wonder that one of the first rules in composition when dealing with art or photography is that the human eye is automatically drawn to the lightest part of the photo. If your intended subject isn’t the lightest part, your viewer may be confused or distracted, so it is best to use that to your advantage when composing; to make the subject and the light areas in the photo or painting related.

We are inherently drawn to light; it intrigues us, it inspires us, it triggers our curiosity and we often in life go searching after it. In the scriptures another way to describe truth is light; and God is described as being all truth and all light. Light chases out the darkness and shows us the way. It gives us comfort and broadens our view. We as children of God are inherently drawn to light and to Him. It is shown to us in everything if we would pause to notice.

 

IMPOSSIBLE.

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Recently I had the occasion to finally fulfill two of my dreams; I was able to finally get myself a pack of The Impossible Project’s black frame black and white instant film for Polaroid Cameras, and I was able to use it for a special occasion, my engagement photos with my better half and the love of my life. The engagement outweighs the film on the dream scale but I wanted to tell all of you about my experience with the film.

I was pleasantly surprised with the results. On the Impossible site, www.the-impossible-project.com, they make a disclaimer. They say that their film, although high quality, is different in chemical make-up than traditional Polaroid film that many of you are used to using–and they were right. There are a few quirks to be aware of.

The first few seconds after the film is ejected from the camera are CRUCIAL. Keep the film out of the light for those seconds; I taped the film box to the camera so the film went right in after the photo was taken. However I was a little impatient with a few and I paid the price. If you don’t leave the photo to cook for the proper time it ends up not being as sharp as you would hope, the grain structure is muddy rather than crisp, it also takes down the contrast to almost nothing. When you figure that each photo costs about $3.25 it’s worth it to leave it in the dark for as long as it needs.

The next thing to be aware of is the Dry Age Kit. One of the other differences between Impossible film and Polaroid is the need for a drying kit, after the photos are taken you can view them for a little bit but don’t get too attached because they will need to go right into a light resistant air sealed bag with two very large silica gel packs for, wait for it, a MONTH. Yes that’s right, a month…like I said, don’t get too attached. The drying process dries up the chemicals so they don’t continue to develop the photo over time and give it strange color and tonality shifts. But if that’s what you’re going for then by all means forget what I just said.

With those things in mind, I was very happy with the results like I’d said earlier. My pack turned out to be a little warm toned and when the photos were newly taken they were a slight purple hue that smacked of old albumen prints. They also turned out with a white almost hand drawn vignette around the border.  Most of all though, it was so much fun! I really enjoyed shooting “Polaroid” again which I hadn’t done since I was 10 years old. The film is a little pricy but it is so worth it for a special occasion or for the successful lomographer. I plan to make this an occasional treat.

Thanks to IMPOSSIBLE for making instant POSSIBLE again.